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ข้อมูลการเผยแพร่ผลงาน
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| ชื่อบทความ |
The changes in cultural identity of the Mekong ethnic group: Pu Ja drumming In Tai Lue cultural group |
| วัน/เดือน/ปี ที่ได้ตอบรับ |
3 กุมภาพันธ์ 2564 |
| วารสาร |
| ชื่อวารสาร |
PSYCHOLOGY AND EDUCATION (2020) |
| มาตรฐานของวารสาร |
SCOPUS |
| หน่วยงานเจ้าของวารสาร |
Political Science Association of Kasetsart University |
| ISBN/ISSN |
1/2021 on 22-24 February 2021 |
| ปีที่ |
1/2021 |
| ฉบับที่ |
1 |
| เดือน |
Februry |
| ปี พ.ศ. ที่พิมพ์ |
2564 |
| หน้า |
451-455 |
| บทคัดย่อ |
The musical instruments in the family of gongs and drums appear commonly in the Mekong region. Although these musical instruments have some different shapes, these images can indicate the overall relationship among the ancient kingdoms which can confirm the image of music culture in the Mekong region well. From the study of the origin, inheritance, and development of musical instruments, archaeological or historical evidence is required to confirm. As mentioned, the music instruments play a very important role in the way of life of the ethnic groups in Mekong region. However, it can be seen that the regional musical instruments play a role in the ritual and are related to joyfulness. For the classification of musical instruments of ethnic groups in the Mekong river basin including stringed instruments, percussion instruments, leather instruments, and woodwind instruments (Suraphon Nesusin, 2015), Pu Ja drum or Worship drum is another musical culture of the Tai Lue ethnic group in the Mekong river basin. There is a legend that has been around for more than 1,300 years, when the Pu Ja drum was created to signal various causes in the society of Tai Lue people in the past. The sound of the drum resonated every time before going out to fight the enemy and it was the musical instrument of victory that resonated when the war was overcome. Even an ancestral ritual took place, Pu Ja drum would act as a beat to worship ancestral spirits to satisfy the majority of the Mekong region’s population as a multi-society model with a variety of ethnicities, languages, religions, customs, traditions, and cultures that come from having similar physical characteristics and unity. These were supplemented with having various resources and great value. In addition, from having a long history altogether, when we compare ethnic groups and the cultures in the Mekong river basin, it is found that there are ethnic groups of Tai or Thai with similar language family roots despite being divided by the government of each country. Originally, these ethnic groups resided in Shan State of Burma, in the north of Laos, in Yunnan Province of Southern China and in the northwest of Vietnam (Thiraphat Chaiphiphat. 2008: 85).
However, when time had passed for a while, the Tai Lue ethnic group adopted Buddhism during the reign of Phaya Kue Na around the year 1355. The sect of Buddhism, “Raman Langkawong” or commonly known among the Tai Lue people as “Suan Dok sect” was disseminated by Phra Sumana Thera from the state of Sukhothai. Then, Tai Lue people had changed their beliefs in Pu Ja drumming that was previously believed to be used in beating for use in warfare or beating to worship ancestors to become beating for worship in Buddhism instead. The one who inherited the Pu Ja drumming in Buddhism would be people from generation to generation within the Tai Lue ethnic group who present themselves as Kalpana servants of monks at that time.
According to the rituals and beliefs from the assortment of instruments of Sach Hornbostel, the drums are very old percussion instruments (Membranophones Pcrcussion Instrumcnts) with evidence from archaeological excavations in the 3rd and the 6th B.E. The ritual drum is one of the arts and culture in Southeast Asian countries and plays an important role in life, culture, and tradition of people of this region. The drum in this region is small. It can be placed on the palm of the hand like Banthaw, a musical instrument used in the ritual of Brahmin in the master class. It was modeled from India. There are also drums in very large size such as the local drums in the north of Thailand called “Pu Ja drum or Worship drum”. There are also the large drums which require a lot of people in moving i.e. Aey drums and Luang drums. There are many Indonesian and Malaysian drums such as the Kendhang, the Balinese drums called Kendong Krumpung Lanang which are similar to the Thai double-sided drum used for the Thai classical orchestra band. There are flat drums of tambourine and there are pairs called “Khaek drum” and “Malay drum” (Chalermsak Phikulsri 2017: 45-50).
Regarding the causal factors of changes in the Pu Ja drumming culture of Tai Lue ethnic group in the Mekong river basin, there are also some changes in the culture and beliefs of Pu Ja drumming using a number of different reasons. This research paper aimed to study the changes in identity and culture of the Tai Lue drumming culture of the Tai Lue ethnic group in the Mekong river basin that has changed over time. The researcher saw that the changes were from drumming to war and drumming for worshipping the ancestors to become drumming for Buddhism. This was drumming for the affairs in Buddhism in order to maintain the prosperity of the Buddha in many ways instead. The Tai Lue ethnic group has played a very important role in making the cultural identity of Pu Ja drumming from the traditional culture in the past that has been changed since then to the present.
The status and roles of the Pu Ja drum were reduced from the past to the present to remain only a musical symbol. It is a musical instrument used for benefit only in Buddhist temples. Therefore, the researcher was interested in the style of Pu Ja drumming with identity, cultural way and relationship with music corresponding to the Tai Lue ethnic group in the Mekong. Therefore, it is important to keep the Pu Ja drumming in the Tai Lue ethnic culture in the Mekong river basin to remain.
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| คำสำคัญ |
Pu Ja drum, identity, changes, Tai Lue ethnic cultural ways |
| ผู้เขียน |
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| การประเมินบทความ |
มีผู้ประเมินอิสระ |
| สถานภาพการเผยแพร่ |
ได้รับการตอบรับให้ตีพิมพ์ |
| วารสารมีการเผยแพร่ในระดับ |
นานาชาติ |
| citation |
มี |
| เป็นส่วนหนึ่งของวิทยานิพนธ์ |
เป็น |
| แนบไฟล์ |
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| Citation |
0
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