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ข้อมูลการเผยแพร่ผลงาน
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| ชื่อบทความ |
The Application of the Costumes of the Tai Tang ethnic group toward Product Design in Bolikhamxay Province , Laos PDR |
| วัน/เดือน/ปี ที่ได้ตอบรับ |
21 กันยายน 2566 |
| วารสาร |
| ชื่อวารสาร |
Boletin de Literatura Oral |
| มาตรฐานของวารสาร |
SCOPUS |
| หน่วยงานเจ้าของวารสาร |
Universidad de Jaen |
| ISBN/ISSN |
2173-0695 |
| ปีที่ |
1 |
| ฉบับที่ |
10 |
| เดือน |
September |
| ปี พ.ศ. ที่พิมพ์ |
2566 |
| หน้า |
146-158 |
| บทคัดย่อ |
The aim of this research study was to examine the evolution of the costumes of the Tai Tang group for design and developmental purposes in order to use costumes for the creation of new products in Bolikhamxay Province, Laos PDR through a qualitative research process. The tools used in this research were surveys, observations, interviews, and group discussions with identifying populations and samples. The data was analyzed utilizing theories and concepts of Cultural Ecology and Product Design and was presented using descriptive analysis.
The research results showed that the evolution of the costumes of the Tai Tang in Bolikhamxay Province began during the historical period and has been passed down through the generations. The evolutionary processes can be divided into six areas. Firstly, there is the evolution of the patterns of the costumes from the past, which were woven and worn in their daily lives. However, at present, these costumes are mostly used in their rituals. Furthermore, the patterns of the textiles have been influenced by nature and the natural environment. Secondly, regarding the evolution of the materials used in the costumes, the concept has been concerned with the use of natural materials from the past until the present. Currently, some natural materials have become rare at their sites, so they must survey or import materials from other sites. Thirdly, there has been an evolution in the costume design process. In the past, the production process focused solely on human resources to make handcrafts, but that was a lengthy process. Currently, they are purchasing some raw materials from sites nearby and are using some machinery in their production processes. Fourthly, with respect to the evolution of the aesthetics of the Tai Tang costumes, the artistic compositions represented characteristics, such as unity in the past, which was related to patterns, which were balanced on the left and right sides. Moreover, geometric shapes found in nature were mostly used. The presence of some details of nature or the surrounding environment have been pared down to create more artistic, contemporary, and colorful designs. Fifthly, in regard to the evolution of the usability of the costumes, they were previously used to indicate the wearer’s social class. However, the presence of the development of usability has changed in accordance with popular trend of focusing on the utility of being beautiful and functional. Finally, there is the evolution of beliefs about tribal costumes, which are traditionally worn most often in ritual ceremonies or when they are preaching about the principles of cultural beliefs in a specific cultural setting. To summarize, when the development of tribal designs in the costumes of the Tai Tang in Bolikhamxay, Lao PDR was applied to products, it was found that the most appropriate products to which the designs could be applied were handbag products. The developmental processes consisted of the following: 1) analyzing the demand for products, 2) designing the concepts of the products, 3) conducting analyses of the designs, 4) producing the prototype, and 5) assessing the degree of customer satisfaction with the products.
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| คำสำคัญ |
Costumes, The development, Tai Tang, Bolikhamxay |
| ผู้เขียน |
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| การประเมินบทความ |
มีผู้ประเมินอิสระ |
| สถานภาพการเผยแพร่ |
ตีพิมพ์แล้ว |
| วารสารมีการเผยแพร่ในระดับ |
นานาชาติ |
| citation |
มี |
| เป็นส่วนหนึ่งของวิทยานิพนธ์ |
เป็น |
| แนบไฟล์ |
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| Citation |
0
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การเผยแพร่ในรูปของบทความวารสารทางวิชาการ
English