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ข้อมูลการเผยแพร่ผลงาน
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| ชื่อบทความ |
ILLUMINATED BOAT: FORMS AND AESTHETICS IN NAKHON PHANOM'S ILLUMINATED BOAT FESTIVAL |
| วัน/เดือน/ปี ที่ได้ตอบรับ |
28 กันยายน 2566 |
| วารสาร |
| ชื่อวารสาร |
Journal of Advanced Zoology |
| มาตรฐานของวารสาร |
SCOPUS |
| หน่วยงานเจ้าของวารสาร |
Assoc. Advancement Zoology |
| ISBN/ISSN |
0253-7214 |
| ปีที่ |
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| ฉบับที่ |
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| เดือน |
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| ปี พ.ศ. ที่พิมพ์ |
2566 |
| หน้า |
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| บทคัดย่อ |
This research on Illuminated Boat: Forms and Aesthetics in Nakhon Phanom's Illuminated Boat Festival seeks to 1) examine the evolution of the illuminated boat in Nakhon Phanom Province, 2) examine the forms and aesthetics of the illuminated boat tradition in Nakhon Phanom Province, and 3) create contemporary paintings based on the styles and aesthetics of the illuminated boat traditions in Nakhon Phanom Province. This study employs a qualitative research methodology. The research target groups in Nakhon Phanom Province consisted of 10 experts, 10 practitioners, and 5 other related individuals. Utilizing surveys, observations, and interviews as methods for document and field data collection. In data analysis, hearsay history concepts, cultural ecology theory, structural-functional theory, cultural diffusion theory, and symbol interaction theory were utilized to collect and analyze data. The presentation then uses this information to create a modern painting based on aesthetic theory and concept art elements presented in a descriptive, analytical manner with illustrations.
According to the results, the evolution of illuminated boats in Nakhon Phanom province can be divided into three distinct eras: 1) the era in which boats were constructed by worshiping aquatic spirits. 2) The period of constructing illuminated boats in accordance with Buddhist beliefs 3) The era of illuminated boat construction in Nakhon Phanom province was founded on the concept of artificial traditions. It was discovered that there were variations in the acquisition of culture in accordance with social conditions and economic development. The model of the illumined boat in the province of Nakhon Phanom was determined to be the application of the wisdom of building an illuminated boat according to local traditions and adapting it to the materials, equipment, and knowledge of modern construction for speed, stability, balance, beauty, grandeur, and grandeur in terms of the aesthetics of Nakhon Phanom's illuminated boat. It was discovered that aesthetics result from seeing the illuminated boat and contemplating the details of the illuminated boat until a sense of emotion develops. It is an aesthetic that was created from faith until the illuminated boat of Nakhon Phanom attained its own identity.
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| คำสำคัญ |
Illuminated Boat, Forms, Aesthetics, Illuminated Boat festival |
| ผู้เขียน |
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| การประเมินบทความ |
มีผู้ประเมินอิสระ |
| สถานภาพการเผยแพร่ |
ได้รับการตอบรับให้ตีพิมพ์ |
| วารสารมีการเผยแพร่ในระดับ |
นานาชาติ |
| citation |
มี |
| เป็นส่วนหนึ่งของวิทยานิพนธ์ |
เป็น |
| แนบไฟล์ |
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| Citation |
0
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การเผยแพร่ในรูปของบทความวารสารทางวิชาการ
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