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ข้อมูลการเผยแพร่ผลงาน
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ชื่อบทความ |
Socialist Realism Sculpture in the Socialist Republic of Vietnam 1945-2017 |
วัน/เดือน/ปี ที่ได้ตอบรับ |
16 มิถุนายน 2566 |
วารสาร |
ชื่อวารสาร |
Asian Journal of Traditional and Innovative Arts and Textiles |
มาตรฐานของวารสาร |
OTHER () |
หน่วยงานเจ้าของวารสาร |
มหาวิทยาลัยกาฬสินธุ |
ISBN/ISSN |
ISSN 2821-921X (Online) |
ปีที่ |
Vol. 2 |
ฉบับที่ |
No. 2 (2023) |
เดือน |
May-August |
ปี พ.ศ. ที่พิมพ์ |
2566 |
หน้า |
23-39 |
บทคัดย่อ |
Abstract
The objectives of research article “Socialist Realism Sculpture in the Socialist Republic of
Vietnam, 1945-2017” is to study the historical background and current state socialist realism
propaganda art in the Socialist Republic of Vietnam. The research is conducted qualitatively, utilizing
document analysis and field data collection in the areas of Hanoi, Ho Chi Minh City, and Hue. The
target population includes knowledgeable key informants, practitioners, and stakeholders, as well
as the target group of socialist realist sculptors. The research employs survey questionnaires,
observations, interviews, and group discussions. Surveys, questionnaires, observations, interviews,
and group discussions collected data. The research findings reveal that the historical background of
socialist realist sculpture can be divided into three periods: the first period encompasses socialist
realist sculpture in the context of North and South Vietnam from 1945 to 1975, the second period
covers socialist realist sculpture in the context of the Socialist Republic of Vietnam from 1975 to
1986, and the third period focuses on socialist realist sculpture in the context of the Doi Moi reform
policy from 1986 to 2017. In the current state of socialist realist sculpture, six aspects were identified.
Firstly, the majority of sculpture resides in urban areas and consists of civil servants. Secondly, the
predominant locations are art museums, history museums, military and combat museums, art
universities, and public spaces within communities. Thirdly, the overall content aims to convey
narratives representing the significance of victory and the military's and people's pride in the fight
against imperialist aggression. Fourthly, the visual representations adhere to the style of socialist realist sculpture. Fifthly, a variety of materials, including natural and synthetic materials, are used in
the artwork. Finally, diverse techniques and construction methods are employed. It should be noted
that the content, form, materials, and techniques of the artwork are significantly influenced by state
policies, playing a crucial role in supporting and controlling the expressions. |
คำสำคัญ |
Keywords : Sculpture, Socialist realism, Socialist Republic of Vietnam |
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